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Unique piece, not for sale Year: 2007 Series: Post-it Art, visual poetry Phase: Acentric I Technique: digital art on Post-it, carving on paper Concept: the Post-it note was created as an act of remembrance to remind us that beyond the…
Unique piece Year: 2024 Series: Post-it Art Phase: visual poetry Technique: black ink on Post-it Dimensions: 12,5 cm x 7,5 cm Concept: in art, as in life, reference codes are needed until human nature evolves to the point where it…
Unique piece Year: 2016 Series: Post-it Art Phase: Visual Poetry Technique: black ink on yellow Post-it notes Dimensions: 76x76 mm Concept: we wild world. We - the wild world - are waiting to evolve in the name of humanity. LOADING HUMANITY…
Unique piece Year: 2015 Series: Parolibere Tables, an homage to Futurism Phase: Visual Poetry Technique: mixed media on canvas Dimensions: 13x18x9 cm Concept: This acronym is a play on words in Italian. The meaning is as follows: courtly abundance unconditionally reversed…
Unique piece Year: 2015 Series: Parolibere Tables, an homage to Futurism Phase: Visual Poetry Technique: mixed media on canvas Dimensions: 13x18x9 cm Concept: This acronym is a play on words in Italian. The meaning is as follows: living in resilient…
Unique piece Year: 2015 Series: Parolibere Tables, an homage to Futurism Phase: Visual Poetry Technique: mixed media on canvas Dimensions: 13x18x9 cm Concept: This acronym is a play on words in Italian. The meaning is to risk a tenth and…
Unique piece Year: 2015 Series: Parolibere Tables, an homage to Futurism Phase: Visual Poetry Technique: mixed media on canvas Dimensions: 13x18x9 cm Concept: This acronym is a play on words in Italian. The meaning is as follows: liturgical union involves…
Unique piece Year: 2015 Series: Parolibere Tables, an homage to Futurism Phase: Visual Poetry Technique: mixed media on canvas Dimensions: 13x18x9 cm Concept: This acronym is a play on words in Italian. The meaning is as follows: etheric gaudere doesn't…
Unique piece Year: 2015 Series: Parolibere Tables, an homage to Futurism Phase: Visual Poetry Technique: mixed media on canvas Dimensions: 13x18x9 cm Concept: This acronym is a play on words in Italian. The meaning is as follows: exalted trust determines…
E.D.E.N Unique piece Year: 2015 Series: Parolibere Tables, an homage to Futurism Phase: Visual Poetry Technique: mixed media on canvas Dimensions: 13x18x9 cm Concept: This acronym is a play on words in Italian. The meaning is as follows: expressing hermaphrodite…
Unique piece Year: 2007 Series: Parolibere Tables, an homage to Futurism Phase: Visual Poetry Technique: collage, paint, glitter Dimensions: 30 x 30 cm Concept: the fall of words brings down even the Tower of Babel. The heart's voice fills the…
In my research, visual poetry emerges as an amplified form of communication, since ordinary language can sometimes become a limit to understanding and empathy. When words encounter image, sign, space and rhythm, meaning is not only read, but also perceived. Acronyms allow for conceptual condensation and linguistic play, while neologisms remove words from ordinary usage and open them to new possibilities of meaning and relation. The two series are brought together by this shared exploration of language through wordplay, semantic shifts and visual transformation. The Tavole Parolibere Series — homage to Futurism as it once was — draws specifically on Filippo Tommaso Marinetti’s linguistic experimentation with words-in-freedom, in which the disruption of traditional syntax, typographic freedom and unexpected juxtapositions transform the word into visual and sonic matter. The reference is therefore to Futurist experimentation with language and writing rather than to the movement’s entire ideological programme. The homage is addressed to a historical Futurism that imagined a future which, in many respects, has now become our present. The Post-it Art Series uses the ordinary adhesive note as support, compositional module and ready-made. The ephemeral reminder becomes a sign, poetic fragment, image or installation, while the immediacy of the medium becomes part of the linguistic gesture itself. This research also includes my participation, in 2007, in Camera 312 – promemoria per Pierre, a collective project conceived and curated by Ruggero Maggi in homage to Pierre Restany and presented within the context of the 52nd Venice Biennale. To invent words is to create new territories of meaning and more vital spaces in which to meet.
