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Unique piece Year: 2025 Series: Acqua*Viva Imprinting Dimensions: 37 x 31 cm Technique: carving on polished chestnut wood, leaf now, blue bottle water with gold OM inscription Concept: the work combines sacred symbolism (carved chestnut wood, gold leaf) with water,…
Unique piece Year: 2017 Series: LiveWater Imprinting Technique: mixed media on canvas, glass Dimensions: 20x20x3 cm Concept: it is an experimental artwork created by repeating the LAM mantra as a dynamic sound for the Root Chakra. The glass circle also contains…
Unique piece Year: 2017 Series: LiveWater Imprinting Technique: mixed media on canvas Dimensions: 20x20x3 cm Concept: alchemy necessary to evolve. We are at a good point, and the Wise Old Man in us resolves, alleviates, and blesses.
Unique piece Year: 2017 Series: LiveWater Imprinting Technique: mixed media on canvas Dimensions: 20x20x3 cm Concept: It is a water-based experimental artwork. The water is informed with Grabovoj's numerical sequence and the Norse Runes: SOL | Sowelu. Will the canvas…
AcquaViva Imprinting is a series in which water is approached as a material and symbolic vehicle of information. InForming here indicates the act of giving form from within: imprinting a specific visual and conceptual configuration into matter through liquid. As an element essential to life, water is traversed by numerical and runic codes, sounds, vocalisations and intentions, acquiring further layers of meaning. Each work translates the symbolic qualities introduced into the creative process into forms, signs and resonances. The research also developed through an engagement with Masaru Emoto’s experiments and hypotheses on the “memory of water” and, subsequently, with the writings of Massimo Citro Della Riva, particularly La scienza dell’invisibile, references that have nourished and expanded my field of artistic experimentation. Testing the capacity of matter to retain an imprint is one of the aims of the research. Conveying intention and reinforcing it through symbols, codes and sounds opens onto a broader field of inquiry: the osmosis between artwork, viewer and environment. AcquaViva Imprinting thus remains an open investigation into the possibility that matter, water, sign and intention may enter into relation and generate a field of resonance.