Experimentation constitutes one of the central axes of Mya Lurgo’s research. Together with study and artistic practice, it defines a method grounded in observation, inner listening and the verification of experience.

From this perspective, the artwork is not merely a completed form, but a field of enquiry: a space in which perception, consciousness and matter enter into relation. Each experiment arises from the need to investigate what normally remains invisible, subtle or not fully measurable: the energetic quality of the artwork, the viewer’s response, the relationship between form and information, and the possibility that the creative act might become a vehicle for transformation. This field of research also includes specific energy tests applied to artworks, understood as exploratory tools internal to the process.

Meditative writing accompanies and guides this process as an ongoing practice. It is not a completed corpus, but a genuine modus operandi: a form of intuitive dialogue through which the artist enters into relation with SPIRIT, receives guidance, questions creative processes and allows intuitions, visions and preliminary structures of the artwork to settle. The approximately thirty handwritten volumes of The Golden Book constitute the material testimony of this practice: a living, intimate and working archive that documents, over time, the relationship between writing, the superconscious and artistic creation.

The experiments presented in this section document several stages of a broader enquiry into the ART OF THE SPIRIT. By this term, the artist does not indicate any religious or confessional affiliation, but the living principle of consciousness, breath and presence that guides the relationship between the visible and the invisible.

These experiments are not presented as dogmatic demonstrations or scientific validations, but as devices for observation, comparison and experiential verification: practices through which to investigate the artwork as a field and perception as a faculty that can be trained beyond the act of seeing alone.