WORKS

My work arises from the continuous movement of human consciousness toward wider forms of awareness. The works do not aim to produce an outcome; they emerge from this evolutionary process and carry its trace.

Over more than thirty years of research, three creative periods have unfolded: a-centr-ism, Out of the Blue, and the current ART OF THE SPIRIT — three complementary ways of exploring the Immaterial and its degrees of presence.

A-centr-ism, or acentric art, is a four-phase approach grounded in the absence of centring elements — those “-isms” that confine expressive freedom and the fullness of being.
It enables a gradual dissolution of the ego, allowing an undefined, uncircumscribed I Am to emerge.

Out of the Blue arises from an encounter with Yves Klein’s Chelsea Hotel Manifesto, reinterpreted through the Rosicrucian vision of Max Heindel, considering that Klein himself was enrolled as a student of the Rosicrucian Order in Oceanside.

It is an inquiry into the creative potency of the void, into that “pictorial sensitivity” which Klein regarded as the true locus of the work.

The ART OF THE SPIRIT represents a meditative creativity aligned with the superconscious — a state of communion with the Voice of Silence, the inner teacher guiding the transformative process.
It marks the passage from a spiritualized personality to the recognition of oneself as Spirit, as the Breath of Life.

Each work includes a technical sheet containing its concept, the pulsating heart of creation.
The concept is not an external explanation but the generative principle of the artwork: it arises from the integral alignment of the physical-etheric, emotional-astral, mental, and causal levels, and it orients form, gesture, and meaning.