WORKS

The artistic work of Mya Lurgo arises from the movement of consciousness towards broader forms of presence, awareness and inner transformation.

The works are not conceived as finished objects, but as visible outcomes of an evolutionary process: traces, thresholds and perceptual fields through which inner research takes form.

Over more than thirty years of practice, three main creative periods have emerged:

Acentrism
Out of the Blue
ART OF THE SPIRIT

These three complementary passages allow the artist to investigate the immaterial, light, presence and the possibility of an art oriented towards the evolution of consciousness.

Acentrism — theoretically also defined as a-centr-ism, as the absence of centralising “isms” — and acentric art constitute an approach in four phases, born from the overcoming of boundaries and circumferences that rigidify and circumscribe experience. This process progressively frees the work from the centrality of the ego and opens it to a broader dimension of being.

Out of the Blue arises from the encounter with Yves Klein’s Chelsea Hotel Manifesto, reread in the light of the study of Max Heindel’s Rosicrucian philosophy and of Klein’s own path as a student of the Rosicrucian Order of Oceanside, California. The project takes shape as a reinterpretation of the Manifesto, matured after a long period of study and engagement with the Rosicrucian Studies movement in Italy.

The ART OF THE SPIRIT represents the current phase of the research: a meditative artistic practice, grounded in alignment with the superconscious, which moves through painting, light art, land art, digital art, video, installation and other contemporary forms.

Each work is accompanied by a technical sheet and a concept. The concept is not intended as a simple explanation, but as a generative principle: an orienting trace that connects physical, emotional, mental and causal levels, allowing the relationship between form, meaning and state of consciousness to emerge.