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Unique piece, double intersecting projection Year: 2004 Series: Cosmomania destined, Lightart Phase: II Acentrism Technique:the artwork is crafted from a unique assembly of two distinct glass discs, each 7.5 cm in diameter. Both surfaces are painted with mixed media and…
Unique piece Year: 2004 Series: Cosmomania destined, Lightart Phase: II Acentrism Technique: double glass circle, diameter 7,5 cm, painted on the surface, mixed media and glass inserts. Inside, between the two circles, there is a mixture of coloured oils. Magnifying…
Unique piece, double intersecting projection Anno: 2004 Serie: Cosmomania destined, Lightart Fase: II Acentrism Technique: for this work, two different glass circles, each with a diameter of 7.5 cm, were made, both painted on the surface with mixed media and glass…
Unique piece Year: 2004 Series: Cosmomania destined Phase: II Acentrism, Light Art Technique: this artwork is crafted from a double-layered glass disc, 7.5 cm in diameter. Its surface is intricately painted with mixed media and features delicate glass inserts. Contained…
Unique piece Year: 2004 Series: Cosmomania destined, Light Art Phase: II Acentrism Technique: the artwork is meticulously crafted from a double-layered glass disc, 7.5 cm in diameter. Its surface is intricately painted with mixed media and features delicate glass inserts.…
With CosmoMania, I explore the becoming of matter within the space of its possible variations: what exists before a form stabilises and comes to be recognised as definitive. The works begin as small hand-painted glass discs; light then passes through them, projecting the image onto a wall or ceiling. A magnifying lens carries the image from micro to macro, making visible configurations that would otherwise remain almost imperceptible.
The series includes fixed and mobile Painted Light Slides. In the mobile slides, an oily component in constant motion, combined with the rotation of the glass and the heat of the projector, continuously transforms the image: the projection never appears twice in exactly the same way. CosmoMania thus becomes a reflection on impermanence, transformation and the possibility of glimpsing, behind the apparent stability of form, a field of possibilities still in the process of becoming. Matter is not represented: it happens.
